Blog by Carlo Boschi

“QUI LA VOCE SUA SOAVE”

LYRICAL EROTICISM (29.09.2019)

MUSIC IMAGES IN VERONA (5.10.2019)

ADELINA COVENANTS: A SOVEREIGN SOPRANO (12.10.2019)

FIGARO : NOBLE AND FREEMASON (19.10.2019)

SCHUMANN IN LOVE WITH CLARA AND LITERATURE- LE NOVELLETTEN OP.21 (26.10.2019)

“BEL CANTO” MORE THAN “BELCANTO”(2.11.2019)

DEBUSSY ILLUMINATED BY THE LAND OF RISING SUN

300 YEARS WITH THE COMMENDATORE LEOPOLD MOZART (16.11.2019)

IN THE FOOTSTEPS OF VIOLETTA VALÉRY (23.11.2019)

MONTEVERDI AND L’ORFEO OF THE MYTH

ORPHÉE AUX ENFERS BY OFFENBACH : MYTH AND SATIRE (21.12.2019)

LA “DANTE SYMPHONIE” DI FRANZ LISZT (28.12.2019)

THE MUSICAL PAINTING OF RAFFAELLO part 1

THE MUSICAL PAINTING OF RAFFAELLO (Part 2)Visual polyphonies in the “Heliodorus’ Room” in the Vatican(18.01.2020)

THE MUSICAL PAINTING OF RAFFAELLO (Part 3) Visual polyphonies in the ” Heliodorus’ Room” in the Vatican (25.01.2023)

WATCH OUT FOR THOSE TWO! The theatrical revolution in the trilogy by Lorenzo Da Ponte and Wolfgang Amadeus Mozart (1.02.2020)

CLASSICAL LIFE OF NEAPOLITAN MUSIC ―The successful contacts between Neapolitan song and classical music

THE NOBLE LIFE OF NEAPOLITAN SONG ーClassical models in the Parthenopean repertoire (22.02.2020)

MOZART’S AUGMENTED REALITY A glance at the Cavatina. ” L’ho perduta… me meschina!” (from Le Nozze di Figaro)29.02.2020

MASTERS OF LOVING TENDERNESS Precocious adolescence in the works of Mozart and Da Ponte (28.02.2020)

THE VIOLETTA’S “FARMACO” – Browsing inside the score of La Traviata.

The European Muse – Curiosities and passions of the great soprano Pauline Garcia Viardot.

Homage to the lyrical theft – Lendings, thefts, inspirations in Lorenzo Da Ponte’s Don Giovanni